In this story and Q&A for Salon, I speak to William Shatner about being "Forever Captain Kirk"; he opens up about “fandom frenzy” and 50 years of “Star Trek."
I'm pretty happy with how it came out and I think the positive message about D&D is important to spread. So I'd truly love your help in getting the word out. The more views it gets, and social media likes/retweets/shares it gets, the better chance it has of being featured on the Ted site, which would help prove to the world the game's amazing impact on people's lives. Thanks for watching and helping to spread the word.
Erik Schmidt, over at the fantastic site Learn Tabletop RPGs, was kind enough to review Fantasy Freaks and Gaming Geeks, and had these kind words to say about my book. Thank you, Erik.
Blue Man Group began in New York City in 1991; four years later, Boston became the first satellite venue. Today, Blue Man Group Boston continues its astounding run, 21 years and 9,848 performances later, and counting. As the years pass, Boston’s cast and crew have played an increasingly key role in building the Blue Man Group empire. Read the rest of my story for the Boston Globe here.
This The New York Times documentary about D&D and the "Satanic Panic" features two tiny clips from a Super 8 movie I filmed of my old D&D group back in 1981. You'll see us at minute 00:20 and at minute 08:25. Yes, we were (as their expert says over a clip of my old gang rolling dice and goofing off) “the kind of kids and young people who didn’t go to dances or date on the weekends." But we rocked it. Also featuring npted writers Junot Díaz and Cory Doctorow, talking about how D&D was instrumental to their careers, former D&D editor Tim Kask, and private investigator William Dear, who investigated the famous disappearance of James Dallas Egbert III, supposedly caused by D&D.
I talk to Jon Favreau about his new remake of The Jungle Book and how he got his beasts to “walk like you, talk like you, ooh-bi-doo.” More on that over at the Boston Globe.
My review of “The Story of Kullervo," an unfinsihed story by J.R.R. Tolkien based on six chapters, or “runos,” from “The Kalevala,” an epic poem compiled from Finnish oral folklore. Drafted sometime from 1912 to 1916, when Tolkien was in his 20s, his version represents the then-poet and philologist’s baby steps toward prose storytelling. Read the rest over at the Boston Globe.
So why have superhero yarns become among the most reliable of money-makers? The way I see it, the superhero genre speaks to many of our culture’s pent-up voices and internal desires. Over at WBUR's TheARTERY, I talk about why.